Selected Publications
Nicola (Nick) Camerlenghi
"Terroir and Architecture," in At Table: Dialogues on Food and Architecture, ed. by Samantha Martin-McAuliffe (London: Berg, expected in 2015).
"Splitting the Core: The Twelfth-Century Transverse Wall at the Basilica of San Paolo in Rome." Memoirs of the American Academy in Rome, vol. 58 (2013).
"The Longue Durée and the Life of Buildings," in New Approaches to Medieval Architecture, ed. by Robert Bork et al. (Burlington: Ashgate, 2011).
"Interpreting Medieval Architecture Through Renovations: The Roof of the Old Basilica of San Paolo Fuori le Mura in Rome." in Approaches to Byzantine Architecture and its Decoration: Studies in Honor of Slobodan Curcic, ed. Robert Ousterhout et al. (Burlington: Ashgate, 2011).
"The Eighteenth-Century Baptistery at San Paolo fuori le Mura." Bollettino Monumenti, Musei e Gallerie Pontificie 26 (Vatican City: 2009).
Exhibition Catalog Entries. San Paolo in Vaticano: La figura e la parola dell'apostolo delle genti nelle raccolte pontificie, (Todi: Tau, 2009).
"Sankt Paul vor den Mauern," in Rom: Meisterwerke der Baukunst von der Antike bis heute: Festgabe für Elisabeth Kieven, ed. Christina Strunck (Petersberg: Imhof, 2007).
Jane L. Carroll
"Subversive Obedience. Images of Spiritual Reform by and for Fifteenth-century Nuns," in Reassessing Women's Roles as "Makers" of Medieval Art and Architecture, ed. Therese Martin (Leiden: Brill, 2012).
"Woven Devotions: Reform and Piety in the Tapestries Done by Dominican Nuns," in Saints, Sinners and Sisters, ed. with Alison Stewart Ashgate, (2003).
"Portraiture as Identity/Identity as Portraiture," in Proceedings of the Groningen University Medieval Symposium (2002).
Mary K. Coffey
How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State (Duke University Press, 2012). Winner of College Art Association’s Charles Rufus Morey Award for a Distinguished Book in Art History in 2012.
Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms, ed. Elaine O'Brien, Everlyn Nicodemus, Melissa Chiu, Benjamin Genocchio, Mary K. Coffey, and Roberto Tejada (Wiley-Blackwell, 2013).
"Coffey: Droning on About the Facts," The Dartmouth, Op-Ed, Thursday, October 3, 2013.
"'All Mexico on a Wall': Diego Rivera's Murals at the Ministry of Public Education," in Mexican Muralism, A Critical History, ed. Alejandro Anreus, Leonard Folgarait, Robin Adele Greeley (Berkeley: University of California Press, 2012).
"An 'AMERICAN Idea': Myth, Indigeneity, and Violence in the Work of Orozco and Pollock," in Men of Fire: José Clemente Orozco and Jackson Pollock (Hanover, N.H.: Hood Museum of Art, Dartmouth College; Habover, NH: University Press of New England, 2012), 21-36.
"The 'Hovey Mural' and the 'Greening' of Orozco's Epic of American Civilization" in Walter Beach Humphrey's 'Hovey Mural' at Dartmouth College: A Cultural History, ed. Brian P. Kennedy and Katherine Hart (Hanover, N.H.: Hood Museum of Art, Dartmouth College; Hanover, NH: University Press of New England, 2011), 79-106.
"Banking on Folk Art: Banamex-Citigroup and Transnational Cultural Citizenship," Bulletin of Latin American Research 29, no. 3 (July 2010): 296-312.
"A Mural Imperative," The Dartmouth, Op-Ed, Thursday, November 11, 2010.
“’I’m Not the Fourth Great One’: Rufino Tamayo and Mexican Muralism,” in Tamayo: A Modern Icon Reinterpreted, D. du Pont (ed.), (2007) 247-267.
“‘We Other Romantics’: Wenda Gu, Dartmouth, and the Investment in Art’s Transcendence,” Dartmouth Free Press, 8.4 (2007).
“Toward an Industrial Golden Age? Orozco’s The Epic of American Civilization,” in Orozco at Dartmouth: The Epic of American Civilization (2007), 12-15.
“Of Bodies and Embodiment: Fred Wilson’s So Much Trouble in the World, Believe it or Not!,” in So Much Trouble in the World-Believe it or Not!, B Thompson (ed.), (2006) 44-57.
“The American Adonis: A Natural History of the Average American Man, 1921-1932,” in Popular Eugenics: American Mass Culture in the 1930s, ed. Sue Currell and Christina Cogdell (Athens: Ohio University Press, 2006).
“Angels and Prostitutes: José Clemente Orozco's Catharsis and the Politics of Female Allegory in 1930s Mexico,” CR: The New Centennial Review 4, no. 2 (2004): 1-33. http://muse.jhu.edu/journals/new_centennial_review/v004/4.2coffey.html
Co-authored with Jeremy Packer, “Hogging the Road: Cultural Governance and the Citizen Cyclist,” Cultural Studies 18, no. 5 (July 2004): 641-674. http://www.informaworld.com/smpp/content~content=a738563333~db=all~order=page
"Histories that Haunt: A Conversation with Ann Hamilton," Art Journal 60, no. 3 (Fall 2001): 10-23.
Podcast on the Orozco mural http://hoodmuseum.dartmouth.edu/collections/overview/americas/mesoamerica/murals/tour.html
Ada Cohen
"The Artist as Art Historian: Some Modern Works on Alexander," in K.R. Moore, ed., Brill's Companion to the Reception of Alexander the Great (Leiden and Boston: Brill, 2018), 754-74
“What Is Art History?” in Daniel Rockmore, ed., What Are the Arts and Sciences? [A Guide for the Curious] (Hanover: University Press of New England, 2017), 27-45
Inside an Ancient Assyrian Palace: Looking at Austen Henry Layard's Reconstruction (University Press of New England and Hood Museum of Art, 2017) with Steven Kangas
“Picturing Greek Families,” in B. Rawson, ed., A Companion to Families in the Greek and Roman Worlds (Malden, Mass.: Wiley-Blackwell, 2011), 465-87
Art in the Era of Alexander the Great: Paradigms of Manhood and Their Cultural Traditions (Cambridge and New York: Cambridge University Press, 2010; Paperback 2014)
Assyrian Reliefs from the Palace of Ashurnasirpal II: A Cultural Biography (Hanover, NH: University Press of New England, 2010), ed. with S. E. Kangas
“‘Mistress’ Bronzes from the Classical World,” in A. Brauer, ed., Teaching with Objects: The Curatorial Legacy of David Gordon Mitten (Cambridge, MA: Harvard University Art Museums, 2010), 76-91
"The Self as Other: Performing Humor in Ancient Greek Art," in Cultural Identity in the Ancient Mediterranean, E. S. Gruen (ed.), (2011) 465-90.
"Mythic Landscapes of Greece," in R. Woodard, ed., Cambridge Companion to Greek Mythology (Cambridge: Cambridge University Press, 2008), 305-30
"Gendering the Age Gap: Boys, Girls, and Abduction in Ancient Greek Art,” in A. Cohen and J. B. Rutter eds., Constructions of Childhood in Ancient Greece and Italy (Hesperia Supplement 41, Princeton: American School of Classical Studies at Athens, 2007), 257-78
Constructions of Childhood in Ancient Greece and Italy (Hesperia Supplement 41, Princeton: American School of Classical Studies at Athens, 2007), ed. with J. B. Rutter
"Introduction: Childhood between Past and Present," in A. Cohen and J. B. Rutter eds., Constructions of Childhood in Ancient Greece and Italy (Hesperia Supplement 41, Princeton: American School of Classical Studies at Athens, 2007), 1-22
“Landscape and Figure in Ancient Greek Art" (in Greek) in P. Doukellis, ed., The Greek Landscape (Athens: HESTIA, 2005), 105-129
"Art, Myth, and Travel in the Hellenistic World," in S. E. Alcock, J. Cherry, and J. Elsner, eds., Pausanias: Travel and Memory in Roman Greece (Oxford and New York: Oxford University Press, 2001), 93-126
The Alexander Mosaic: Stories of Victory and Defeat (Cambridge and New York: Cambridge University Press, 1997; Paperback 2000)
Chad Elias
"The Libidinal Archive: A Conversation with Akram Zaatari," Tate Papers, no. 19, Spring 2013, n.p.
“Landscape Photography’s ‘New Humanism,’” Either/And, November 2013, n.p.
"Object in Focus: Rabih Mroué’s On Three Posters," Tate Modern In Focus, February 2014, n.p.
Chad Elias, and Zaher Omareen, "Syria’s Imperfect Cinema," in Malu Halasa, Zaher Omareen, and Nawal Mahfoud (eds.) Syria Speaks: Art and Culture from the Frontline, (London: Saqi Books, 2014), 257-268.
"From Street to Screen: Graffiti, New Media and the Politics of Images in Post-Mubarak Egypt’, in Basma Hamdy and Don Karl (eds.), Walls of Freedom: Street Art of the Egyptian Revolution, (Berlin: From Here to Fame Publishing, 2014), 89-91.
"The Good Shepherd" in Lamia Joreige: Under-Writing Beirut, (New York: Taymour Grahne Gallery, 2015), 22-23.
"In Advance of the Nation: Photography and the Performative Fiction of Statehood in Toy Soldiers," in Simon Brann Thorpe, Toy Soldiers, (Stockport: Dewi Lewis, 2015), 9-14.
"The Museum Past the Surpassing Disaster: Walid Raad’s Projective Futures," in Anthony Downey (ed.) Archival Dissonance: Knowledge Production and Contemporary Visual Culture, London: I. B. Tauris, 2015.
Allen Hockley
The Women of Shin Hanga: The Judith and Joseph Barker Collection of Japanese Prints, Hanover, NH: Hood Museum of Art, Dartmouth College, 2013
The Treaty of Portsmouth and Its Legacies, (co-edited with Steve Ericson) Lebanon, NH: University Press of New England, 2008
Public Spectacles and Personal Pleasures: Four Centuries of Japanese Prints From a Cincinnati Collection, Cincinnati: Cincinnati Museum of Art, 2006.
The Prints of Isoda Koryûsai: Floating World Culture and Its Consumers in Eighteenth- Century Japan, Seattle: University of Washington Press, 2003.
Inside the Floating World: Japanese Prints from the Lenoir C. Wright Collection, Greensboro, N.C.: Weatherspoon Art Gallery, 2002.
Katie Hornstein
BOOKS:
Picturing War in France, 1792-1856, Yale University Press, 2018.
"Introduction," and "Horace Vernet and the Problem of Facilité," in Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, eds. Daniel Harkett and Katie Hornstein (Hanover, N.H: University Press of New England, 2017).
JOURNAL ARTICLES:
"From Museum to Menagerie: Théodore Géricault and the Leonine Subject," The Art Bulletin, forthcoming early 2019.
“Suspended Collectivity: Horace Vernet’s The Crossing the Arcole Bridge (1826),” Art History 72:3 (June: 2014): 429-453. (Official Commendation, Malcolm Bowie Prize, French Historical Studies)
« Le Diagraphe et Pantographe de Charles Gavard et l’âge de la reproduction mécanique visuelle en France, » Revue histoire de l’art 71 (2012): 73-83.
“Just Violence? Jacques Callot’s Grandes Misères et Malheurs de la Guerre,” University of Michigan Museums of Art and Archaeology Bulletin, Volume XVI (2005-2006): 29-48.
EDITED VOLUME CONTRIBUTIONS:
"The Territorial Imaginary of the Revolutionary and Napoleonic Wars," in Visual Culture of the Revolutionary and Napoleonic Wars, eds. Satish Padiyar, Philip Shaw, Philippa Simpson (London: Routlege, 2016), 13-24.
“Horace Vernet’s Capture of the Smahla (1845): Reportage and Actuality in the Early French Illustrated Press,” in Getting the Picture: The History and Visual Culture of the News, edited by Jason Hill and Vanessa Schwartz (London: Bloomsbury, 2015), 246-251.
“An Unhappy Rivalry: Art and Industry at the Exposition Universelle of 1855 in Paris,” in Meet Me at the Fair: A World’s Fair Reader, edited by Celia Pearce and Laura Hollengreen (Pittsburgh: Carnegie-Mellon ETC University Press, 2014), 169-174.
Book reviews:
Commissioned book review: Stephen Bann, Distinguished Images: Prints and the Visual Economy in Nineteenth-Century France. New Haven and London: Yale University Press, 2013. H-France, 2014.
Commissioned book review: Richard Taws, The Politics of the Provisional: Art and Ephemera in Revolutionary France. University Park: Pennsylvania State University Press, 2013. CAA Reviews, 2014.
Commissioned book review: Conflicting Visions: War and Visual Culture in Britain and France, c. 1700-1830. Edited by John Bonehill and Geoff Quilley. Ashgate: London, 2005. Montage, 2008: http://www.uiowa.edu/~montage/issues/2008/
Steven E. Kangas
Assyrian Reliefs at Dartmouth College: A Cultural Biography (Hanover, NH: Hood Museum of Art and University Press of New England, 2010), ed. with Ada Cohen.
Nigel Goring-Morris, Steven Kangas, et al., "The 1997 Season of Excavations at the Mortuary Site of Kfar Hahoresh, Galilee, Israel." Neo-Lithics 3 (1998).
Joy Kenseth
“Jan Davidsz. De Heem’s Still-life with Grapes,” Hood Museum Quarterly , (Spring 2006).
“The Virtue of Littleness: Small-Scale Sculpture of the Italian Renaissance,” in Lasting Magnificence: Looking at Italian Renaissance Sculpture , S. McHam (ed.), (1998).
“The Age of the Marvelous*, Editor and principal author, exhibition catalogue, (1991).
“Two Pendant Portraits by Jacopo Ligozzi,” The Burlington Magazine , 129, (1987), 12-16.
"Bernini's David," excerpts of studies published in Basic Design: Systems, Elements, Application, ed. Floyd Coleman (Englewood Cliffs: Prentice Hall, 1983)
“Bernini’s Borghese Sculptures: Another View,” Art Bulletin , 63: 2 (1981), 191-210.
Sunglim Kim
Kim Chŏng-hŭi (1786-1856) and Sehando : The Evolution of a Late Chosŏn Korean Masterpiece, Archives of Asian Art , Vol. 56, (2006), pp. 31-60.
Catalogue entries on calligraphy in The Art of Korea: Highlights from the Collection of San Franciscos Asian Art Museum (Hong Kong: Stacy Quinn of Quinn Essentials Books and Printing, Inc., 2006).
Catalogue entries on Buddhist Paintings and translations of essays on metal crafts and ceramics in Goryeo Dynasty: Koreas Age of Englightenment 918-1393 (San Francisco Asian Art MuseumChong-Moon Lee Center for Asian Art and Culture, in cooperation with the National Museum of Korea and the Nara National Museum, 2003).
Kristin O'Rourke
Entries on "Jean-Antoine Houdon," "Voltaire Seated by J.-A. Houdon," and "Johann Gottfried Schadow," for the Encyclopedia of Sculpture. New York: Fitzroy Dearborn, 2004.
Tatiana Reinoza
“The Island within the Island: Remapping Dominican York,” Archives of American Art Journal 57:2 (accepted, expected publication fall 2018)
“Printed Proof: The Cultural Politics of Ricardo and Harriett Romo’s Print Collection,” A Library for the Americas: The Nettie Lee Benson Latin American Collection, edited by Julianne Gilland and José Montelongo (Austin: University of Texas Press, forthcoming Spring 2018)
“Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez’s Coming of Age,” alter/nativas latin american cultural studies journal 7 (fall 2017) ISSN 2168-8451
“No es un crimen: Posters, Political Prisoners, and the Mission Counterpublics,” Aztlán: A Journal of Chicano Studies 42.1 (Spring 2017): 239-256.