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“John Cooper Robinson and Japanese Commercial Photography” in Digital Meijis: Revisualizing Modern Japanese History at 150, edited by Tristan R. Grunow and Naoko Kato (Vancouver, B.C.: University of British Columbia Libraries, 2018): 95-104. [online version available at: https://meijiat150.arts.ubc.ca/] Sept. 2018
"Other Tea Cults" The Review of Japanese Culture and Society, (December 2012): 94-115.
“John Thomson’s China: Illustrations of China and Its People (1873-74)” (2010)
“Suzuki Harunobu: The Cult and Culture of Color,” Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680-1860, (Asia Society, New York, 2008): 80-97.
“Past Meets Present: Wenda Gu’s Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry,” Wenda Gu at Dartmouth: The Art of Installation, Hanover, NH: Hood Museum of Art & University of New England Press, 2008): 120-133.
“Globetrotter’s Japan: Places: Foreigners on the Tourist Circuit in Meiji Japan” (2008)
“Globetrotter’s Japan: People: Foreigners on the Tourist Circuit in Meiji Japan” (2007)
“Felice Beato’s Japan: Places: An Album by the Pioneer Foreign Photographer in Yokohama” (2006)
“New Age Warriors: Redeploying the Heroic Ethos in the Late Meiji Period,” Chikanobu: Modernity and Nostalgia in Japanese Prints, Amsterdam: Hotei Publishing, 2006: 109-115.
“Expectation and Authenticity in Meiji Tourist Photography,” Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, edited by Ellen P. Conant, Honolulu: University of Hawaii Press, 2006: 114-132.
“The Zenning of Munakata Shikô” Impressions, no. 26 (2004): 77-87.
“First Encounters – Emerging Stereotypes: Westerners and Geisha in the Late Nineteenth Century,” Peabody Essex Museum, Geisha: Beyond the Painted Smile, New York: George Braziller, (2004): 51-65.
“Packaged Tours: Photo Albums and Their Implications for the Study of Early Japanese Photography,” Reflecting Truth: Photography in Nineteenth-Century Japan, edited by Nicole Coolidge Rousmaniere and Mikiko Hirayama. Amsterdam: Hotei Publishing (2004): 66-85.
“Cameras, Photographs, and Photography in Nineteenth-Century Japanese Prints,” Impressions, no. 23 (2001): 42-63.
“Shunga: Function, Context, Methodology,” Monumenta Nipponica, vol. 55, no. 2, (Summer 2000): 257-269.