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A public lecture by Dr. Bridget Alsdorf (Art History, Princeton University)
Focusing closely on a range of paintings and prints, this talk examines the gawker (le badaud) as an underinterrogated but significant figure for the attractions, aporias and fraught ethics of urban spectatorship in fin-de-siècle France. Characterized by collective, passive modes of navigating the city as theatre, they form a figure of modernity distinct from the far more studied flâneur.
Events are free and open to the public unless otherwise noted.