Art historian Nicola Camerlenghi on what comes next for Notre Dame.
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In the late 19th and early 20th century, the Roman archaeologist Rodolfo Lanciani collected an enormous archive of Rome’s history—meticulously documenting the excavations of the city’s 3,000 years of continuous settlement.
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The art historian is helping to stage an exhibit on Orozco’s “Prometheus” mural.
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With royal roots, these objects expanded in popularity and range from trompe l’oeil paintings of filled bookcases to idiosyncratic still-life compositions that defy the laws of physics and optics.
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On a sunny day toward the end of summer term, about a dozen students from Assistant Professor Nicola Camerlenghi’s “Art History 34: Castles, Cloisters and Cathedrals” class meet on the Bema.
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