Emma Moley ’15 describes t he parallels between Picasso’s evolving art over these seven years and the transformations in his personal life.

A $150,000 grant from the Institute of Museum and Library Services will enable Dartmouth’s Hood Museum of Art to digitize its entire collection of Native American art.

Fan Tchunpi (1898–1986) was one of the most important and prolific Chinese artists of the modern era, and the Hood Museum of Art will present the first solo exhibition of her work since her 1984 retrospective at the Musée Cernuschi (Asian Art Museum) in Paris.

The Hood Museum of Art is one of the few museums in the world to own the complete Vollard Suite series, and is presenting it in its entirety through December 20, 2013.

The Orozco mural cycle, one of Dartmouth’s greatest treasures, has been designated a national historic landmark, one of 13 new landmarks announced March 11, 2013, by Secretary of the Interior Ken Salazar and National Park Service Director Jonathan B. Jarvis.

In this video, Hood Museum of Art Director Michael Taylor talks about Ellsworth Kelly, one of America’s foremost abstract artists, and discusses Kelly’s Dartmouth Panels, the site-specific wall sculpture.

Sung Lim Kim is assistant professor of Asian and Middle Eastern studies and of art history. Originally from Seoul, she specializes in Korean art. Kim holds a PhD from the University of California – Berkeley, and comes to Dartmouth from a position as lecturer in UC Berkeley’s Department of the History of Art. Kim has also previously served as a curator and researcher at the Asian Art Museum, San Francisco.